[origin]al
ccheckov:

rosethevaliant:

kevinology:

this picture pisses me off so fucking much. THIS FUCKING PICTURE OF GOD DAMN COOKIE DOUGH. DO YOU NOT UNDERSTAND THAT WHEN YOU BAKE FUCKING COOKIES, THEY SPREAD OUT AND ELONGATE. THESE COOKIES ARE PRACTICALLY TOUCHING EACHOTHER. THIS IS GONNA END UP BEING A DAMN COOKIE CAKE. ARE U SHITTING ME HAVE YOU NEVER BAKED COOKIES BEFORE. YOU CAN NOT BAKE 32 INDIVIDUAL COOKIES ON A PAN MADE FOR 16 MAXIMUM. motherfucker

shit gets real in the baking fandom

i guess you could say they were
baking bad

ccheckov:

rosethevaliant:

kevinology:

this picture pisses me off so fucking much. THIS FUCKING PICTURE OF GOD DAMN COOKIE DOUGH. DO YOU NOT UNDERSTAND THAT WHEN YOU BAKE FUCKING COOKIES, THEY SPREAD OUT AND ELONGATE. THESE COOKIES ARE PRACTICALLY TOUCHING EACHOTHER. THIS IS GONNA END UP BEING A DAMN COOKIE CAKE. ARE U SHITTING ME HAVE YOU NEVER BAKED COOKIES BEFORE. YOU CAN NOT BAKE 32 INDIVIDUAL COOKIES ON A PAN MADE FOR 16 MAXIMUM. motherfucker

shit gets real in the baking fandom

i guess you could say they were

baking bad

1 hour ago with 1,121,364 notes — via itinerantpoet


gdirtydime19:

haussofkm:

mockeryd:

Dog: I AM SORRY BABY HUMAN! DO NOT CRY ANYMORE! i SHALL BRING YOU MORE TOYS

The cutest thing ever.

awwwwwwww  :)

2 hours ago with 205,705 notes — via r3iflyer, © sizvideos


electricalice:

Drawing perspective is considered one of the hardest things in art, except the mistakes usually done are pretty much always the same and can be avoided with a little care.

1. Lines not reaching the vanishing point

image

Well this is pretty simple to avoid but it’s the most…

3 hours ago with 16,313 notes — via farewelltoshadowlands, © electricalice


3 hours ago with 152,328 notes — via curryuku, © tastefullyoffensive


yoncevevo:

rihannainfinity:

August 30: Rihanna hydro jet surfing in Sardina, Italy

rise

yoncevevo:

rihannainfinity:

August 30: Rihanna hydro jet surfing in Sardina, Italy

rise

4 hours ago with 9,743 notes — via aww-yiss-im-gayssica, © rihannainfinity



"Hitachi Seaside Park is a sprawling 470 acre park located in Hitachinaka, Ibaraki, Japan, that features vast flower gardens including millions of daffodils, 170 varieties of tulips, and an estimated 4.5 million baby blue eyes (Nemophila). The sea on blue flowers blooms once annually around April in an event referred to as the “Nemophila Harmony.”

"Hitachi Seaside Park is a sprawling 470 acre park located in Hitachinaka, Ibaraki, Japan, that features vast flower gardens including millions of daffodils, 170 varieties of tulips, and an estimated 4.5 million baby blue eyes (Nemophila). The sea on blue flowers blooms once annually around April in an event referred to as the “Nemophila Harmony.”

4 hours ago with 9,490 notes — via laina, © wasbella102


anatomicalart:

captain-harrie:

i draw hands using lots of boxes???
oR WELL thats what im visualising in my head i actually jsut draw some vague bullshit

then build the hand from that

bUT the boxes are there in my head thats what im picturing
u should all practice hands using pixelovely for ref tho

Start learning to draw things by imagining and applying shapes that work for you (in this case boxes). Use these shapes as your own personal guidelines for now, and eventually you will be able to create the shape (the hand) by just imagining the shapes, and sketching out the rough. It’s like a superpower you grow.

anatomicalart:

captain-harrie:

i draw hands using lots of boxes???

oR WELL thats what im visualising in my head i actually jsut draw some vague bullshit

image

then build the hand from that

image

bUT the boxes are there in my head thats what im picturing

u should all practice hands using pixelovely for ref tho

Start learning to draw things by imagining and applying shapes that work for you (in this case boxes). Use these shapes as your own personal guidelines for now, and eventually you will be able to create the shape (the hand) by just imagining the shapes, and sketching out the rough. It’s like a superpower you grow.

4 hours ago with 19,620 notes — via passionflowerss, © captain-harrie


hadlais:

blatherversity:


[x]

Sea Slicks
Whenever there is an oil spill in the world’s oceans, a sea slick is “born”. Countless animals lose their lives to the thick, clinging clutches of oil, dying miserable, wretchedly drawn-out deaths. Sea slicks are born of the lost souls of those animals and the sludge that bound and choked the life from them. As such, sea slicks are always referred to as “they” and “them” rather than “it”, and it’s said that if you chance upon a sea slick near the surface, their soft, melancholy vocalisations carry the haunting remnants of sea birds and the whispers of shoals of fish.
Despite their fearsome appearances, they are very much docile creatures, preferring to near-constantly swim through the depths and the quiet of the sea they were robbed from. Sea slicks are amortal, being unable to die, as they were never truly what we would call “alive” to begin with. Over time, however, sea slicks do disintegrate, usually over the span of several years, losing pieces of semi-sentient oil to the surface waters.
Ambitious wixes track sea slicks to gather these pieces, as they make especially valuable, durable invisibility cloaks capable of protecting wearers from even the deadliest of spells.

I love this! Modern, industrial fantasy creatures. Wow, so cool!

hadlais:

blatherversity:

[x]

Sea Slicks

Whenever there is an oil spill in the world’s oceans, a sea slick is “born”. Countless animals lose their lives to the thick, clinging clutches of oil, dying miserable, wretchedly drawn-out deaths. Sea slicks are born of the lost souls of those animals and the sludge that bound and choked the life from them. As such, sea slicks are always referred to as “they” and “them” rather than “it”, and it’s said that if you chance upon a sea slick near the surface, their soft, melancholy vocalisations carry the haunting remnants of sea birds and the whispers of shoals of fish.

Despite their fearsome appearances, they are very much docile creatures, preferring to near-constantly swim through the depths and the quiet of the sea they were robbed from. Sea slicks are amortal, being unable to die, as they were never truly what we would call “alive” to begin with. Over time, however, sea slicks do disintegrate, usually over the span of several years, losing pieces of semi-sentient oil to the surface waters.

Ambitious wixes track sea slicks to gather these pieces, as they make especially valuable, durable invisibility cloaks capable of protecting wearers from even the deadliest of spells.

I love this! Modern, industrial fantasy creatures. Wow, so cool!

4 hours ago with 53,634 notes — via straydogsatan, © blatherversity


sararye:

every 1st september we joke about getting ready for hogwarts to cover up the very real and very very deep scars of never getting our letters

5 hours ago with 52,140 notes — via magicmumu, © sararye


sexhaver:

stantler:

grab-the-sushi-and-run:

ASH KETCHUM YOU LUCKY BOY YOU GOT TO DO EVERYTHINGAWESOME IN THE POKEMON WORLD IT’S NOT FAIR ANYMORE

he never got to grow up, spend time with his family, or have a family of his own. he has a 5th grade education at best, hes essentially homeless, and the only friend hes retained through all of his travels is a mouse. 

he is literally riding the god of the oceans like a fucking flying horse do you think he gives a rat’s ass about his education

sexhaver:

stantler:

grab-the-sushi-and-run:

ASH KETCHUM YOU LUCKY BOY YOU GOT TO DO EVERYTHINGAWESOME IN THE POKEMON WORLD IT’S NOT FAIR ANYMORE

he never got to grow up, spend time with his family, or have a family of his own. he has a 5th grade education at best, hes essentially homeless, and the only friend hes retained through all of his travels is a mouse. 

he is literally riding the god of the oceans like a fucking flying horse do you think he gives a rat’s ass about his education

5 hours ago with 139,938 notes — via aww-yiss-im-gayssica


5 hours ago with 50,453 notes — via yuriwolf, © exgynocraticgrrl


thechangelingmedusa:

Like seriously, why isn’t pole dancing an olympic sport? This is freakin gymnastics. This is strength and skill. This is not sexual whatsoever. Why does pole dancing have to be so stigmatised as a sexual thing that only strippers do? I have great respect for all people who can pull this off. This is art and beauty right here. 

thechangelingmedusa:

Like seriously, why isn’t pole dancing an olympic sport? This is freakin gymnastics. This is strength and skill. This is not sexual whatsoever. Why does pole dancing have to be so stigmatised as a sexual thing that only strippers do? I have great respect for all people who can pull this off. This is art and beauty right here. 

5 hours ago with 70,525 notes — via caduceator, © youtube.com


tastefullyoffensive:

How to Pet Animals by Adam Ellis

Previously: Animated Animal Facts

11 hours ago with 406,545 notes — via electraboo, © tastefullyoffensive


jawnthebaptiste:

kingjaffejoffer:

Michael Brown’s dad before the burial. 
The emotion and all of the sweat…. shit is hard to look at, even if its only a picture

I didn’t want to reblog this because it’s hard to look at, but people SHOULD see it.
We SHOULD see a father mourning his teenage son.
We SHOULD see how a killing like Mike’s can take a toll on not only a community, but a family.
It’s as easy for young black men to become martyrs as it is for them to become victims. They can never just be humans. 
We can never just be.

jawnthebaptiste:

kingjaffejoffer:

Michael Brown’s dad before the burial. 

The emotion and all of the sweat…. shit is hard to look at, even if its only a picture

I didn’t want to reblog this because it’s hard to look at, but people SHOULD see it.

We SHOULD see a father mourning his teenage son.

We SHOULD see how a killing like Mike’s can take a toll on not only a community, but a family.

It’s as easy for young black men to become martyrs as it is for them to become victims. They can never just be humans. 

We can never just be.

12 hours ago with 74,340 notes — via itinerantpoet, © kingjaffejoffer


atane:

zuky:

nezua:

Flappers shaming Miley Cyrus.

Oddly enough we could say that Miley Cyrus is following solidly in the appropriative footsteps of white flappers, who in the 1920s grabbed national attention and stirred alarmism concerning the end of civilization because they partied to Black music, wore their hair short like Josephine Baker (who fled US racism to become a superstar in Europe), and imitated dance moves from Baker and other Black dancers. The famously flapperesque Charleston was lifted from the African American dance called the Juba, which had West African roots and was danced in secret in the South and the Caribbean. The dance sped up when it reached Harlem, giving birth to both tap dancing and the Broadway hit called The Charleston, which spread like wildfire from there. White people didn’t sway their hips this scandalously prior to that era, making flappers roughly equivalent to white twerkers of the Jazz Age.

This is 100% true. The period from the jazz age to the beat generation, comparatively speaking was the height of cultural appropriation of black art. The beat generation used lingo popularized by Lester Young. They then appropriated the style, dress, and lingo of bebop musicians like Charlie Parker and Dizzy Gillespie, down to the beret, glasses, and soul patch. Bebop musicians, Parker and Gillespie in particular, were the blueprint of their image. Norman Mailer wrote an essay titled “The White Negro" that tackles this phenomenon. I’m no fan of Norman Mailer, but at least he admitted that white people were stealing from blacks. He wrote it in 1957.
With regards to the flappers, apart from Josephine Baker, they also liberally borrowed from black vaudeville performers. They would copy dance moves from black performers, and then introduce it as their own. Many dances attributed to whites are from black vaudeville performers who were forced to perform on the chitlin’ circuit because of segregation and Jim Crow laws.
It really is astonishing how nothing has changed in this regard. For example, people to this day still call Benny Goodman “the king of swing”, when what he did was procure charts for arrangements from Fletcher Henderson, a black man. Goodman’s biggest hits were from Henderson. It’s amazing how much credit Goodman gets for another man’s work. Of course Goodman became “the king of swing”, while Fletcher Henderson remains a footnote in history. How a white man becomes the king of something innovated by blacks is astounding. Benny Goodman is called “the king of swing”. Paul Whiteman is called “the king of jazz”. Elvis Presley is called “the king of rock n roll”. Is Eminem the king of rap? What about Justin Timberlake and Robin Thicke with r&b? Miley is soon on her way to become “the queen of twerking”.
Anyway, apart from getting his charts from Fletcher Henderson, Benny Goodman got his ass handed to him by Chick Webb at the Savoy Ballroom when they had a battle of the bands. Goodman is often noted as being one of the few white men in the segregation era to have black men in his band, and the narrative is typically presented as if he did it out of benevolence. He did it because there was no way to get around the fact that swing music was the domain of black folks, and he poached the best black players he could find to bolster his band, and black musicians went with him because as a white man, he was able to pay them more than black bandleaders, and they wouldn’t have to deal with indignity while traveling. Many hotels refused black bands, so they often had to sleep in cars, bus terminals, or crash at the homes of hospitable blacks. A big portion of Duke Ellington’s money went towards renting out train cars and making sure his orchestra had a place to sleep while on the road because hotels often turned them down because they were black. These were issues Goodman wasn’t going to face. Black musicians certainly didn’t go with him because he was the best. Goodman even later hired Henderson to arrange and play in his band. He wasn’t doing it because he loved black people. Black people were the ones creating and innovating. Where else would he get the best charts and arrangements? Now that the smoke has cleared and the dust has settled, Goodman gets all the credit. Funny how that works.
This stuff has been going on for a long time. Miley is the 2013 version. Twerking has been around for a long time, but Miley convulses on national tv and all of a sudden, dictionary definitions of twerking are made. Definitions complete with no mention of black people, like all this happened in a vacuum. It’s history repeating itself over and over again. I see the same thing happening with afrobeat music.

atane:

zuky:

nezua:

Flappers shaming Miley Cyrus.

Oddly enough we could say that Miley Cyrus is following solidly in the appropriative footsteps of white flappers, who in the 1920s grabbed national attention and stirred alarmism concerning the end of civilization because they partied to Black music, wore their hair short like Josephine Baker (who fled US racism to become a superstar in Europe), and imitated dance moves from Baker and other Black dancers. The famously flapperesque Charleston was lifted from the African American dance called the Juba, which had West African roots and was danced in secret in the South and the Caribbean. The dance sped up when it reached Harlem, giving birth to both tap dancing and the Broadway hit called The Charleston, which spread like wildfire from there. White people didn’t sway their hips this scandalously prior to that era, making flappers roughly equivalent to white twerkers of the Jazz Age.

This is 100% true. The period from the jazz age to the beat generation, comparatively speaking was the height of cultural appropriation of black art. The beat generation used lingo popularized by Lester Young. They then appropriated the style, dress, and lingo of bebop musicians like Charlie Parker and Dizzy Gillespie, down to the beret, glasses, and soul patch. Bebop musicians, Parker and Gillespie in particular, were the blueprint of their image. Norman Mailer wrote an essay titled “The White Negro" that tackles this phenomenon. I’m no fan of Norman Mailer, but at least he admitted that white people were stealing from blacks. He wrote it in 1957.

With regards to the flappers, apart from Josephine Baker, they also liberally borrowed from black vaudeville performers. They would copy dance moves from black performers, and then introduce it as their own. Many dances attributed to whites are from black vaudeville performers who were forced to perform on the chitlin’ circuit because of segregation and Jim Crow laws.

It really is astonishing how nothing has changed in this regard. For example, people to this day still call Benny Goodman “the king of swing”, when what he did was procure charts for arrangements from Fletcher Henderson, a black man. Goodman’s biggest hits were from Henderson. It’s amazing how much credit Goodman gets for another man’s work. Of course Goodman became “the king of swing”, while Fletcher Henderson remains a footnote in history. How a white man becomes the king of something innovated by blacks is astounding. Benny Goodman is called “the king of swing”. Paul Whiteman is called “the king of jazz”. Elvis Presley is called “the king of rock n roll”. Is Eminem the king of rap? What about Justin Timberlake and Robin Thicke with r&b? Miley is soon on her way to become “the queen of twerking”.

Anyway, apart from getting his charts from Fletcher Henderson, Benny Goodman got his ass handed to him by Chick Webb at the Savoy Ballroom when they had a battle of the bands. Goodman is often noted as being one of the few white men in the segregation era to have black men in his band, and the narrative is typically presented as if he did it out of benevolence. He did it because there was no way to get around the fact that swing music was the domain of black folks, and he poached the best black players he could find to bolster his band, and black musicians went with him because as a white man, he was able to pay them more than black bandleaders, and they wouldn’t have to deal with indignity while traveling. Many hotels refused black bands, so they often had to sleep in cars, bus terminals, or crash at the homes of hospitable blacks. A big portion of Duke Ellington’s money went towards renting out train cars and making sure his orchestra had a place to sleep while on the road because hotels often turned them down because they were black. These were issues Goodman wasn’t going to face. Black musicians certainly didn’t go with him because he was the best. Goodman even later hired Henderson to arrange and play in his band. He wasn’t doing it because he loved black people. Black people were the ones creating and innovating. Where else would he get the best charts and arrangements? Now that the smoke has cleared and the dust has settled, Goodman gets all the credit. Funny how that works.

This stuff has been going on for a long time. Miley is the 2013 version. Twerking has been around for a long time, but Miley convulses on national tv and all of a sudden, dictionary definitions of twerking are made. Definitions complete with no mention of black people, like all this happened in a vacuum. It’s history repeating itself over and over again. I see the same thing happening with afrobeat music.

13 hours ago with 44,466 notes — via caduceator, © melanskyyworld